The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 88
The sculptor was concerned with nothing but to model all those forms one after
another . We still seem to feel the trembling delight with which the hand set down
the arched brow of the ram Abraham espied in the thicket , and the plump form of
...
The sculptor was concerned with nothing but to model all those forms one after
another . We still seem to feel the trembling delight with which the hand set down
the arched brow of the ram Abraham espied in the thicket , and the plump form of
...
Pagina 128
In the last analysis , they are concerned with going around Goethe . They are
therefore concerned to produce a figure whose external form is extremely clear ,
which presents no problems to the eye , which is all in sweeping lines .
Monumental ...
In the last analysis , they are concerned with going around Goethe . They are
therefore concerned to produce a figure whose external form is extremely clear ,
which presents no problems to the eye , which is all in sweeping lines .
Monumental ...
Pagina 166
But with this essential difference - that man can , from time to time , suspend his
direct concern with things , detach himself from his surroundings , ignore them ,
and subjecting his faculty of attention to a radical shift - incomprehensible ...
But with this essential difference - that man can , from time to time , suspend his
direct concern with things , detach himself from his surroundings , ignore them ,
and subjecting his faculty of attention to a radical shift - incomprehensible ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |