The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 56
José Ortega y Gasset. hearten the novelists . On the contrary ; for they themselves are bringing it about . Little by little they train their public by sharpening the percep- tion , and refining the taste , of their readers . Each work ...
José Ortega y Gasset. hearten the novelists . On the contrary ; for they themselves are bringing it about . Little by little they train their public by sharpening the percep- tion , and refining the taste , of their readers . Each work ...
Pagina 129
... contrary optics . I ask you for a Goethe from within . From within whom ? Within Goethe ? But ... who is Goethe ? I do not know whether you under- stand my question . If you ask your own self , strictly and peremptorily , Who am I ...
... contrary optics . I ask you for a Goethe from within . From within whom ? Within Goethe ? But ... who is Goethe ? I do not know whether you under- stand my question . If you ask your own self , strictly and peremptorily , Who am I ...
Pagina 174
... contrary , being man signi- fies precisely being always on the point of not being man , being a living problem , an absolute and haz- ardous adventure , or , as I am wont to say : being , in essence , drama ! Because there is drama only ...
... contrary , being man signi- fies precisely being always on the point of not being man , being a living problem , an absolute and haz- ardous adventure , or , as I am wont to say : being , in essence , drama ! Because there is drama only ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth