The Dehumanization of Art, and Other Writings on Art and Culture |
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JOSÉ ORTEGA Y GASSET THE DEHUMANIZATION OF ART AND OTHER WRITINGS ON ART AND CULTURE Doubleday Anchor Books DOUBLEDAY & COMPANY , INC . , GARDEN CITY , N.Y. THE UNIVERSITY OF MICHIGAN DEANBORN CAMPUS LIBRARY BH 205 0713.
JOSÉ ORTEGA Y GASSET THE DEHUMANIZATION OF ART AND OTHER WRITINGS ON ART AND CULTURE Doubleday Anchor Books DOUBLEDAY & COMPANY , INC . , GARDEN CITY , N.Y. THE UNIVERSITY OF MICHIGAN DEANBORN CAMPUS LIBRARY BH 205 0713.
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This way of reversing the relation between life and culture , between action and contemplation , brought it about that ... then - there has been an overproduction of ideas , of books and works of art , a real cultural inflation .
This way of reversing the relation between life and culture , between action and contemplation , brought it about that ... then - there has been an overproduction of ideas , of books and works of art , a real cultural inflation .
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ORTEGA Y GASSET THE DEHUMANIZATION OF ART AND OTHER WRITINGS ON ART AND CULTURE The author of The Revolt of the Masses is unique among contemporary philosophers in combining a remarkable lucidity of style , an enormous range of interest ...
ORTEGA Y GASSET THE DEHUMANIZATION OF ART AND OTHER WRITINGS ON ART AND CULTURE The author of The Revolt of the Masses is unique among contemporary philosophers in combining a remarkable lucidity of style , an enormous range of interest ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth