The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 58
NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it
. Any reference ... All scientific endeavor lastly consists in the systematic effort to
leave behind the object and to arrive at its definition . Now , a definition is ...
NO DEFINITIONS We want to see the life of the figures in a novel , not to be told it
. Any reference ... All scientific endeavor lastly consists in the systematic effort to
leave behind the object and to arrive at its definition . Now , a definition is ...
Pagina 59
... is as though the writer invited me to visualize , on the strength of his definition ,
John's peevishness in my own imagination . ... is exactly the opposite : that he
furnish the visible facts so that I obligingly discover and define John to be peevish
.
... is as though the writer invited me to visualize , on the strength of his definition ,
John's peevishness in my own imagination . ... is exactly the opposite : that he
furnish the visible facts so that I obligingly discover and define John to be peevish
.
Pagina 72
They refuse to behave according to those alleged definitions . The first
conceptual image we were given of them is followed by another in which we see
their immediate life , independent of the author's definition ; and the two do not
tally .
They refuse to behave according to those alleged definitions . The first
conceptual image we were given of them is followed by another in which we see
their immediate life , independent of the author's definition ; and the two do not
tally .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth