The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 14
... the points of view of the four persons present at the deathbed , the clearest means of distinguishing them is by measuring one of their dimensions , namely the emotional distance between each person and the event they all witness .
... the points of view of the four persons present at the deathbed , the clearest means of distinguishing them is by measuring one of their dimensions , namely the emotional distance between each person and the event they all witness .
Pagina 26
Seeing requires distance . Each art operates a magic lantern that removes and transfigures its objects . On its screen they stand aloof , inmates of an inaccessible world , in an absolute distance . When this derealization is lacking ...
Seeing requires distance . Each art operates a magic lantern that removes and transfigures its objects . On its screen they stand aloof , inmates of an inaccessible world , in an absolute distance . When this derealization is lacking ...
Pagina 101
A church spire , a sail at sea , present themselves to us at a distance that for practical purposes we may estimate with some accuracy . The moon or the blue face of heaven are at a distance essentially imprecise , but quite ...
A church spire , a sail at sea , present themselves to us at a distance that for practical purposes we may estimate with some accuracy . The moon or the blue face of heaven are at a distance essentially imprecise , but quite ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth