The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 102
... distant vision . Instead of fixing a proximate object , let the eye , passive but free , prolong its line of vision to the limit of the visual field . What do we find then ? The structure of our hierarchized elements disappears . The ...
... distant vision . Instead of fixing a proximate object , let the eye , passive but free , prolong its line of vision to the limit of the visual field . What do we find then ? The structure of our hierarchized elements disappears . The ...
Pagina 103
... vision has a tactile quality . What mys- terious resonance of touch is preserved by sight when it converges on a ... distant vision an object becomes illusory . When the distance is great , there on the confines of a remote horizon -a ...
... vision has a tactile quality . What mys- terious resonance of touch is preserved by sight when it converges on a ... distant vision an object becomes illusory . When the distance is great , there on the confines of a remote horizon -a ...
Pagina 112
... distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the eye and the bodies is in- terposed the most immediate object : hollow space , air . Floating in the air , transformed into ...
... distant vision , which , strictly speaking , is the more proximate of the two kinds of vision . Between the eye and the bodies is in- terposed the most immediate object : hollow space , air . Floating in the air , transformed into ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth