The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 3
... effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote from the aesthetic essence that it does not quite appear how ...
... effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote from the aesthetic essence that it does not quite appear how ...
Pagina 25
... effect , nothing else . We must distinguish between delight and titillation . Romanticism hunts with a decoy , it tampers with the bird's fervor in order to riddle him with the pellets of sounds . Art must not pro- ceed by psychic ...
... effect , nothing else . We must distinguish between delight and titillation . Romanticism hunts with a decoy , it tampers with the bird's fervor in order to riddle him with the pellets of sounds . Art must not pro- ceed by psychic ...
Pagina 84
... effect . And a novel that lacks this glorious and unique magic is a poor novel whatever other virtues it may possess . Sublime and beneficent the power of this sovereign modern art that multiplies our existence , freeing us from our own ...
... effect . And a novel that lacks this glorious and unique magic is a poor novel whatever other virtues it may possess . Sublime and beneficent the power of this sovereign modern art that multiplies our existence , freeing us from our own ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth