The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 3
Approaching art from the side of its social effects looks very much like putting the
cart before the horse , or studying a man by his shadow . The social effects of art
seem such an accidental thing , so remote from the aesthetic essence that it ...
Approaching art from the side of its social effects looks very much like putting the
cart before the horse , or studying a man by his shadow . The social effects of art
seem such an accidental thing , so remote from the aesthetic essence that it ...
Pagina 25
It is an automatic effect , nothing else . We must distinguish between delight and
titillation . Romanticism hunts with a decoy , it tampers with the bird's fervor in
order to riddle him with the pellets of sounds . Art must not proceed by psychic ...
It is an automatic effect , nothing else . We must distinguish between delight and
titillation . Romanticism hunts with a decoy , it tampers with the bird's fervor in
order to riddle him with the pellets of sounds . Art must not proceed by psychic ...
Pagina 84
... we must regain the shores of our existence proper . Were someone to find us in
just that moment , our dilated pupils would betray our shipwrecked condition .
Novel I call the literary prose work that produces this effect . And a novel that
lacks ...
... we must regain the shores of our existence proper . Were someone to find us in
just that moment , our dilated pupils would betray our shipwrecked condition .
Novel I call the literary prose work that produces this effect . And a novel that
lacks ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth