The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 7
... to do better and to extract from modern art its essential principle . That will unable us to see in what profound sense modern art is unpopular . ARTISTIC ART If the new art is not accessible to The Dehumanization of Art 7.
... to do better and to extract from modern art its essential principle . That will unable us to see in what profound sense modern art is unpopular . ARTISTIC ART If the new art is not accessible to The Dehumanization of Art 7.
Pagina 68
José Ortega y Gasset. the essential thing is the personages themselves and their exemplary and paradigmatic nature . That is why Racine's work impresses us as cold , a mono- chrome . We feel ushered into a garden where some statues ...
José Ortega y Gasset. the essential thing is the personages themselves and their exemplary and paradigmatic nature . That is why Racine's work impresses us as cold , a mono- chrome . We feel ushered into a garden where some statues ...
Pagina 74
... essential to the genre , appears here with exaggerated purity . We feel the lack of a firm and rigid support , of something like the ribs in an umbrella . Deprived of its bones , the body of the novel is converted into a cloudy , shape ...
... essential to the genre , appears here with exaggerated purity . We feel the lack of a firm and rigid support , of something like the ribs in an umbrella . Deprived of its bones , the body of the novel is converted into a cloudy , shape ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth