The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 30
The landmarks of these two names seem to me essential for charting the main line of the new style above the indentations produced by individual inspirations . It will not be easy to interest a person under thirty in a book that under ...
The landmarks of these two names seem to me essential for charting the main line of the new style above the indentations produced by individual inspirations . It will not be easy to interest a person under thirty in a book that under ...
Pagina 74
Thus the novel is reduced to pure motionless description , and the diffuse , atmospheric character , which is in fact essential to the genre , appears here with exaggerated purity . We feel the lack of a firm and rigid support ...
Thus the novel is reduced to pure motionless description , and the diffuse , atmospheric character , which is in fact essential to the genre , appears here with exaggerated purity . We feel the lack of a firm and rigid support ...
Pagina 128
On the other hand , this has been the essential defect of all German books on Goethe : their authors work on Goethe , but never question themselves about Goethe , never put Goethe in question , never work underneath Goethe .
On the other hand , this has been the essential defect of all German books on Goethe : their authors work on Goethe , but never question themselves about Goethe , never put Goethe in question , never work underneath Goethe .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |