The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 16
Pagina 13
... event . Nonetheless , this identical event - a man's death - impresses each of them in a different way . So different indeed that the several aspects have hardly anything in common . What this scene means to the wife who is all grief ...
... event . Nonetheless , this identical event - a man's death - impresses each of them in a different way . So different indeed that the several aspects have hardly anything in common . What this scene means to the wife who is all grief ...
Pagina 14
... event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot help asking ourselves : Which of all these realities must then be ...
... event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot help asking ourselves : Which of all these realities must then be ...
Pagina 15
... event . He is involved in it not with his heart but with the professional portion of his self . He too " lives " the scene although with an agitation originating not in the emotional center , but in the professional surface , of his ...
... event . He is involved in it not with his heart but with the professional portion of his self . He too " lives " the scene although with an agitation originating not in the emotional center , but in the professional surface , of his ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth