The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 6
When a man dislikes a work of art , but understands it , he feels superior to it ; and
there is no reason for indignation . ... Accustomed to ruling supreme , the masses
feel that the new art , which is the art of a privileged aristocracy of finer senses ...
When a man dislikes a work of art , but understands it , he feels superior to it ; and
there is no reason for indignation . ... Accustomed to ruling supreme , the masses
feel that the new art , which is the art of a privileged aristocracy of finer senses ...
Pagina 138
But this means only that the ideas which a man conceives are superficial
compared with his vital , preintellectual verity . Goethe thinks of his life under the
image of a plant , but he feels it , he is it , as a dramatic preoccupation with his
own self .
But this means only that the ideas which a man conceives are superficial
compared with his vital , preintellectual verity . Goethe thinks of his life under the
image of a plant , but he feels it , he is it , as a dramatic preoccupation with his
own self .
Pagina 176
The fate of culture , the destiny of man , depends upon our maintaining that
dramatic consciousness ever alive in our inmost being , and upon our feeling ,
like a murmuring counterpoint in our entrails , that we are only sure of insecurity .
The fate of culture , the destiny of man , depends upon our maintaining that
dramatic consciousness ever alive in our inmost being , and upon our feeling ,
like a murmuring counterpoint in our entrails , that we are only sure of insecurity .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth