The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 74
Reading this " remembrance of things past ” we feel convinced that the
permissible measure of slowness is overstepped . Plot there is almost none ; and
not a whit of dramatic interest . Thus the novel is reduced to pure motionless
description ...
Reading this " remembrance of things past ” we feel convinced that the
permissible measure of slowness is overstepped . Plot there is almost none ; and
not a whit of dramatic interest . Thus the novel is reduced to pure motionless
description ...
Pagina 125
And suddenly we feel disinherited , traditionless , destitute , as if we were recent
emigrants into life , without predecessors . " Patrician " was the Roman term for
the man who could make a will and who left an inheritance . The rest were ...
And suddenly we feel disinherited , traditionless , destitute , as if we were recent
emigrants into life , without predecessors . " Patrician " was the Roman term for
the man who could make a will and who left an inheritance . The rest were ...
Pagina 176
The fate of culture , the destiny of man , depends upon our maintaining that
dramatic consciousness ever alive in our inmost being , and upon our feeling ,
like a murmuring counterpoint in our entrails , that we are only sure of insecurity .
The fate of culture , the destiny of man , depends upon our maintaining that
dramatic consciousness ever alive in our inmost being , and upon our feeling ,
like a murmuring counterpoint in our entrails , that we are only sure of insecurity .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |