The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 68
A vast canvas , now luminous now murky , on which all the figures shine with life
and color , noblemen and commoners , archbishops and sea captains queens
and country lasses , a restless , garrulous , exuberant , extravagant lot , madly ...
A vast canvas , now luminous now murky , on which all the figures shine with life
and color , noblemen and commoners , archbishops and sea captains queens
and country lasses , a restless , garrulous , exuberant , extravagant lot , madly ...
Pagina 87
Dostoevski's religious and political ideas are not operative agencies within the
body of his work ; they appear there with the same fictitious character as the faces
and the frenetic passions of the figures . Let all novelists look at the doors of the ...
Dostoevski's religious and political ideas are not operative agencies within the
body of his work ; they appear there with the same fictitious character as the faces
and the frenetic passions of the figures . Let all novelists look at the doors of the ...
Pagina 114
Figures begin to be unrecognizable . Instead of painting objects as they are seen
, one paints the experience of seeing . Instead of an object as impression , that is
, a mass of sensations . Art , with this , has withdrawn completely from the world ...
Figures begin to be unrecognizable . Instead of painting objects as they are seen
, one paints the experience of seeing . Instead of an object as impression , that is
, a mass of sensations . Art , with this , has withdrawn completely from the world ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth