The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 23
... realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for the sug- gestive word , will declare that the works of this The Dehumanization of Art 23.
... realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for the sug- gestive word , will declare that the works of this The Dehumanization of Art 23.
Pagina 62
... follow , and derive from , being . The nineteenth century may be said to have established the opposite prin- ciple : esse sequitur operari - the being of a thing is nothing else than the sum total of its actions and functions . Should ...
... follow , and derive from , being . The nineteenth century may be said to have established the opposite prin- ciple : esse sequitur operari - the being of a thing is nothing else than the sum total of its actions and functions . Should ...
Pagina 105
... follows that the journey of the pictorial gaze is a retrogression from the distant - although close by- toward what is contiguous to the eye . According to this , the evolution of Western paint- ing would consist in a retraction from ...
... follows that the journey of the pictorial gaze is a retrogression from the distant - although close by- toward what is contiguous to the eye . According to this , the evolution of Western paint- ing would consist in a retraction from ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth