The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 148
If we give Goethe's work a vigorous shake , we shall be left with a number of
truncated lines which we can complete in our imagination as our ... The Goethe of
Strasburg , Wetzlar , Frankfurt still gives us reason to say : “ Wie wahr , wie seiend
!
If we give Goethe's work a vigorous shake , we shall be left with a number of
truncated lines which we can complete in our imagination as our ... The Goethe of
Strasburg , Wetzlar , Frankfurt still gives us reason to say : “ Wie wahr , wie seiend
!
Pagina 167
In this fashion we give a material expression - since we can give no other - to our
suspicion that ideas are in no place in space , which is pure exteriority ; but that ,
in the face of the exterior world , they constitute another world which is not in ...
In this fashion we give a material expression - since we can give no other - to our
suspicion that ideas are in no place in space , which is pure exteriority ; but that ,
in the face of the exterior world , they constitute another world which is not in ...
Pagina 168
Hence when things cease to threaten it or caress it ; when they give it a holiday ;
in short , when the other ceases to move it and manage it , the poor animal has
virtually to cease to exist , that is : it goes to sleep . Hence the enormous capacity
...
Hence when things cease to threaten it or caress it ; when they give it a holiday ;
in short , when the other ceases to move it and manage it , the poor animal has
virtually to cease to exist , that is : it goes to sleep . Hence the enormous capacity
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth