The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 31
... hand , could not be entirely avoided . The animal that was most fre- quent in the region and on which people ... hands . What then does the Indian Lilloeth do so that he can eat ? He squats and folds his hands under his behind ...
... hand , could not be entirely avoided . The animal that was most fre- quent in the region and on which people ... hands . What then does the Indian Lilloeth do so that he can eat ? He squats and folds his hands under his behind ...
Pagina 106
... hand , they cannot be seen as a whole . The pupil of our eye has to travel step by step along the canvas , pausing in the same point of view that the painter successively took . VIII RENAISSANCE Proximate vision is exclusive , since it ...
... hand , they cannot be seen as a whole . The pupil of our eye has to travel step by step along the canvas , pausing in the same point of view that the painter successively took . VIII RENAISSANCE Proximate vision is exclusive , since it ...
Pagina 138
... hand , we can profit by a number of the terms he used . When , undertaking to answer the same question I put before - that agonizing Who am I ? -he replied : An entelechy , he used what is perhaps the best word to designate that vital ...
... hand , we can profit by a number of the terms he used . When , undertaking to answer the same question I put before - that agonizing Who am I ? -he replied : An entelechy , he used what is perhaps the best word to designate that vital ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth