The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 31
At that time a compulsion was felt to keep clear of certain realities which , on the other hand , could not be entirely avoided . ... Such a sanctification implied the idea that a person must not touch that animal with his hands .
At that time a compulsion was felt to keep clear of certain realities which , on the other hand , could not be entirely avoided . ... Such a sanctification implied the idea that a person must not touch that animal with his hands .
Pagina 106
and from near at hand to have painted them as distant . But it is impossible to see several objects close - up at the same time . The proximate gaze must shift from one to the other to make each in turn the center of vision .
and from near at hand to have painted them as distant . But it is impossible to see several objects close - up at the same time . The proximate gaze must shift from one to the other to make each in turn the center of vision .
Pagina 138
On the other hand , we can profit by a number of the terms he used . When , undertaking to answer the same question I put before - that agonizing Who am I ? -he replied : An entelechy , he used what is perhaps the best word to designate ...
On the other hand , we can profit by a number of the terms he used . When , undertaking to answer the same question I put before - that agonizing Who am I ? -he replied : An entelechy , he used what is perhaps the best word to designate ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation whole young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |