The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 31
At that time a compulsion was felt to keep clear of certain realities which , on the
other hand , could not be entirely avoided . ... Such a sanctification implied the
idea that a person must not touch that animal with his hands . What then does the
...
At that time a compulsion was felt to keep clear of certain realities which , on the
other hand , could not be entirely avoided . ... Such a sanctification implied the
idea that a person must not touch that animal with his hands . What then does the
...
Pagina 106
and from near at hand to have painted them as distant . But it is impossible to see
several objects close - up at the same time . The proximate gaze must shift from
one to the other to make each in turn the center of vision . This means that the ...
and from near at hand to have painted them as distant . But it is impossible to see
several objects close - up at the same time . The proximate gaze must shift from
one to the other to make each in turn the center of vision . This means that the ...
Pagina 138
On the other hand , we can profit by a number of the terms he used . When ,
undertaking to answer the same question I put before - that agonizing Who am I ?
-he replied : An entelechy , he used what is perhaps the best word to designate
that ...
On the other hand , we can profit by a number of the terms he used . When ,
undertaking to answer the same question I put before - that agonizing Who am I ?
-he replied : An entelechy , he used what is perhaps the best word to designate
that ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |