The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 6
Pagina 108
... spaces . But in this undertaking he is forced to lean on architectonic perspective as on a crutch . Without those columns and cornices that flee into the back- ground , Tintoretto's brush would fall into the abyss of that hollow space ...
... spaces . But in this undertaking he is forced to lean on architectonic perspective as on a crutch . Without those columns and cornices that flee into the back- ground , Tintoretto's brush would fall into the abyss of that hollow space ...
Pagina 112
... hollow space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour . The painter has thrown his head back , half - closed his eyelids , and ...
... hollow space , air . Floating in the air , transformed into chromatic gases , formless pennons , pure reflections , things have lost their solidity and contour . The painter has thrown his head back , half - closed his eyelids , and ...
Pagina 113
... hollow space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the ...
... hollow space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth