The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 9
they understand a means through which they are brought in contact with
interesting human affairs . Artistic forms proper - figments , fantasy - are tolerated
only if they do not interfere with the perception of human forms and fates . As
soon as ...
they understand a means through which they are brought in contact with
interesting human affairs . Artistic forms proper - figments , fantasy - are tolerated
only if they do not interfere with the perception of human forms and fates . As
soon as ...
Pagina 11
Their enjoyment does not depend upon our power to focus on transparencies
and images , a power characteristic of the artistic sensibility ; all they require is
human sensibility and willingness to sympathize with our neighbor's joys and
worries ...
Their enjoyment does not depend upon our power to focus on transparencies
and images , a power characteristic of the artistic sensibility ; all they require is
human sensibility and willingness to sympathize with our neighbor's joys and
worries ...
Pagina 20
the painter is bungling and fails to render the natural ( natural = human ) thing
because he deviates from it , but that these deviations point in a direction
opposite to that which would lead to reality . Far from going more or less clumsily
toward ...
the painter is bungling and fails to render the natural ( natural = human ) thing
because he deviates from it , but that these deviations point in a direction
opposite to that which would lead to reality . Far from going more or less clumsily
toward ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth