The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 34
The relation between our mind and things consists in that we think the things ,
that we form ideas about them . We possess of reality , strictly speaking , nothing
but the ideas we have succeeded in forming about it . These ideas are like a ...
The relation between our mind and things consists in that we think the things ,
that we form ideas about them . We possess of reality , strictly speaking , nothing
but the ideas we have succeeded in forming about it . These ideas are like a ...
Pagina 36
Expressionism , cubism , etc. , are - in varying degree - attempts at executing this
decision . From painting things , the painter has turned to painting ideas . He
shuts his eyes to the outer world and concentrates upon the subjective images in
his ...
Expressionism , cubism , etc. , are - in varying degree - attempts at executing this
decision . From painting things , the painter has turned to painting ideas . He
shuts his eyes to the outer world and concentrates upon the subjective images in
his ...
Pagina 155
Inspiration has to take him unawares , for a new idea to lay hold on him and bring
forth Hermann und Dorothea . Even so , he presents ... Ideas are always too
close to our whim , are obedient to itthey are always revocable . We have , no
doubt ...
Inspiration has to take him unawares , for a new idea to lay hold on him and bring
forth Hermann und Dorothea . Even so , he presents ... Ideas are always too
close to our whim , are obedient to itthey are always revocable . We have , no
doubt ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth