The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 12
... imperative imposed by the time . Obedience to the order of the day is the most hopeful choice open to the individual . Even so he may achieve nothing ; but he is much more likely to fail if he insists on composing another Wagnerian ...
... imperative imposed by the time . Obedience to the order of the day is the most hopeful choice open to the individual . Even so he may achieve nothing ; but he is much more likely to fail if he insists on composing another Wagnerian ...
Pagina 57
... imperative of the novel is autopsy . No good telling us what a person is , we want to see with our own eyes . Analyze such ancient novels as have survived in the appreciation of responsible readers , and it will appear that they all use ...
... imperative of the novel is autopsy . No good telling us what a person is , we want to see with our own eyes . Analyze such ancient novels as have survived in the appreciation of responsible readers , and it will appear that they all use ...
Pagina 89
... imperative derive all the other condi- tions of the novelistic form that we have pointed out . They all fall under the heading of impervious- ness . Thus the imperative of autopsy follows inevi- tably from the fact that the novelist ...
... imperative derive all the other condi- tions of the novelistic form that we have pointed out . They all fall under the heading of impervious- ness . Thus the imperative of autopsy follows inevi- tably from the fact that the novelist ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth