The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 46
I do not mean to say that the artist makes light of his work and his profession ; but they interest him precisely because they are of no transcendent importance . For a real understanding of what is happening let us compare the role art ...
I do not mean to say that the artist makes light of his work and his profession ; but they interest him precisely because they are of no transcendent importance . For a real understanding of what is happening let us compare the role art ...
Pagina 59
In its beginnings the plot may have seemed to form its most important part . Later it appeared that what really matters is not the story which is told but that the story , whatever it might be , should be told well .
In its beginnings the plot may have seemed to form its most important part . Later it appeared that what really matters is not the story which is told but that the story , whatever it might be , should be told well .
Pagina 73
However , the most important structural peculiarity of Dostoevski's novels is harder to explain ; I will return to it later . But let me here add that this habit of confusing instead of defining ...
However , the most important structural peculiarity of Dostoevski's novels is harder to explain ; I will return to it later . But let me here add that this habit of confusing instead of defining ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |