The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 46
I do not mean to say that the artist makes light of his work and his profession ; but
they interest him precisely because they are of no transcendent importance . For
a real understanding of what is happening let us compare the role art is playing ...
I do not mean to say that the artist makes light of his work and his profession ; but
they interest him precisely because they are of no transcendent importance . For
a real understanding of what is happening let us compare the role art is playing ...
Pagina 59
In its beginnings the plot may have seemed to form its most important part . Later
it appeared that what ... ( Primitive sculpture and certain new psychological
discoveries of great importance corroborate this belief . ) In that case the novel
would ...
In its beginnings the plot may have seemed to form its most important part . Later
it appeared that what ... ( Primitive sculpture and certain new psychological
discoveries of great importance corroborate this belief . ) In that case the novel
would ...
Pagina 73
Reading Balzac , for example , we are on every page thrown out of the dream -
world of the novel because we have bumped into the novelistic scaffolding .
However , the most important structural peculiarity of Dostoevski's novels is
harder to ...
Reading Balzac , for example , we are on every page thrown out of the dream -
world of the novel because we have bumped into the novelistic scaffolding .
However , the most important structural peculiarity of Dostoevski's novels is
harder to ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |