The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 46
I do not mean to say that the artist makes light of his work and his profession ; but they interest him precisely because they are of no transcendent importance . For a real understanding of what is happening let us compare the role art ...
I do not mean to say that the artist makes light of his work and his profession ; but they interest him precisely because they are of no transcendent importance . For a real understanding of what is happening let us compare the role art ...
Pagina 59
In its beginnings the plot may have seemed to form its most important part . Later it appeared that what really matters is not the story which is told but that the story , whatever it might be , should be told well .
In its beginnings the plot may have seemed to form its most important part . Later it appeared that what really matters is not the story which is told but that the story , whatever it might be , should be told well .
Pagina 73
However , the most important structural peculiarity of Dostoevski's novels is harder to explain ; I will return to it later . But let me here add that this habit of confusing instead of defining ...
However , the most important structural peculiarity of Dostoevski's novels is harder to explain ; I will return to it later . But let me here add that this habit of confusing instead of defining ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |