The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 15
However it is his bounden duty as a doctor to take a serious interest , he carries
responsibility , perhaps his professional honor is at stake . Hence he too , albeit
in a less integral and less intimate way , takes part in the event . He is involved in
it ...
However it is his bounden duty as a doctor to take a serious interest , he carries
responsibility , perhaps his professional honor is at stake . Hence he too , albeit
in a less integral and less intimate way , takes part in the event . He is involved in
it ...
Pagina 79
largest number and the best quality of objective data - lies somewhere in
between pure contemplation and pressing interest . Some vital interests that are
not too narrow and oppressive are required for organizing our contemplation ;
they must ...
largest number and the best quality of objective data - lies somewhere in
between pure contemplation and pressing interest . Some vital interests that are
not too narrow and oppressive are required for organizing our contemplation ;
they must ...
Pagina 83
The author must see to it that the reader is cut off from his real horizon and
imprisoned in a small , hermetically sealed universe - the inner realm of the novel
. He must make a " villager " of him and interest him in the inhabitants of this
realm .
The author must see to it that the reader is cut off from his real horizon and
imprisoned in a small , hermetically sealed universe - the inner realm of the novel
. He must make a " villager " of him and interest him in the inhabitants of this
realm .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth