The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 15
Hence he too , albeit in a less integral and less intimate way , takes part in the event . He is involved in it not with his heart but with the professional portion of his self . He too “ lives ” the scene although with an agitation ...
Hence he too , albeit in a less integral and less intimate way , takes part in the event . He is involved in it not with his heart but with the professional portion of his self . He too “ lives ” the scene although with an agitation ...
Pagina 22
construct something that is not a copy of “ nature " and yet possesses substance of its own is a feat which presupposes nothing less than genius . “ Reality ” constantly waylays the artist to prevent his flight .
construct something that is not a copy of “ nature " and yet possesses substance of its own is a feat which presupposes nothing less than genius . “ Reality ” constantly waylays the artist to prevent his flight .
Pagina 76
In a novel , I would say , dramatic interest is a psychological necessity - not more , but not less either . But this is not the accepted belief . A suggestive plot is generally regarded as one of the decisive aesthetic factors of which ...
In a novel , I would say , dramatic interest is a psychological necessity - not more , but not less either . But this is not the accepted belief . A suggestive plot is generally regarded as one of the decisive aesthetic factors of which ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |