The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 110
This magic object is light . It is everywhere single and unique throughout the
composition . Here is a principle of unity that is not abstract but real , a thing
among other things , not an idea or schema . The unity of illumination or
chiaroscuro ...
This magic object is light . It is everywhere single and unique throughout the
composition . Here is a principle of unity that is not abstract but real , a thing
among other things , not an idea or schema . The unity of illumination or
chiaroscuro ...
Pagina 111
XI VELASQUEZ Thanks to chiaroscuro , the unity of the picture becomes internal ,
and not merely obtained by extrinsic means . However , under the light , volumes
continue to lurk , the painting of bulk persists through the refulgent veil of light .
XI VELASQUEZ Thanks to chiaroscuro , the unity of the picture becomes internal ,
and not merely obtained by extrinsic means . However , under the light , volumes
continue to lurk , the painting of bulk persists through the refulgent veil of light .
Pagina 112
When it lights on something , it does not fix upon it , and , consequently , that
something is converted , not into a round ... between them has pulverized the
proper form of each object , reducing it to molecules of light , to pure sparks of
color .
When it lights on something , it does not fix upon it , and , consequently , that
something is converted , not into a round ... between them has pulverized the
proper form of each object , reducing it to molecules of light , to pure sparks of
color .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth