The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 25
Pagina 10
In the first case we “ live ” with Charles the Fifth , in the second we look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art .
In the first case we “ live ” with Charles the Fifth , in the second we look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art .
Pagina 44
To look for fiction as fiction - which , we have said , modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce .
To look for fiction as fiction - which , we have said , modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce .
Pagina 77
It is a humble and hackneyed truth that in order to see one must look and in order to look one must pay attention . Attention is a preference subjectively bestowed upon some things at the cost of others . I cannot focus on the first ...
It is a humble and hackneyed truth that in order to see one must look and in order to look one must pay attention . Attention is a preference subjectively bestowed upon some things at the cost of others . I cannot focus on the first ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth