The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 147
to be a man , to be a German or a Frenchman , to be of one period or another ,
and each one of these designations brings in ... This deplorable necessity is
indeed a part of man's destiny as man : to live in particular he has to speak in
general .
to be a man , to be a German or a Frenchman , to be of one period or another ,
and each one of these designations brings in ... This deplorable necessity is
indeed a part of man's destiny as man : to live in particular he has to speak in
general .
Pagina 173
Man's destiny , then , is primarily action . ... in any sufficing sense of the word ,
was given to man once and for all , so that without further ado he finds it at his
disposal , as a perfect faculty or power , ready to be employed and exercised , as
flight ...
Man's destiny , then , is primarily action . ... in any sufficing sense of the word ,
was given to man once and for all , so that without further ado he finds it at his
disposal , as a perfect faculty or power , ready to be employed and exercised , as
flight ...
Pagina 178
Enough of all this thought is not a gift to man but a laborious , precarious and
volatile acquisition . With this idea in mind , you will understand that I see an
element of absurdity in the definition of man put forth by Linnaeus and the
eighteenth ...
Enough of all this thought is not a gift to man but a laborious , precarious and
volatile acquisition . With this idea in mind , you will understand that I see an
element of absurdity in the definition of man put forth by Linnaeus and the
eighteenth ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth