The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 14
The answer , no matter how we decide , cannot but be arbitrary . Any preference
can be founded on caprice only . All these realities are equivalent , each being
authentic for its corresponding point of view . All we can do is to classify the
points ...
The answer , no matter how we decide , cannot but be arbitrary . Any preference
can be founded on caprice only . All these realities are equivalent , each being
authentic for its corresponding point of view . All we can do is to classify the
points ...
Pagina 28
Laden with human matter it was dragging along , skirting the ground and
bumping into trees and house tops like a deflated balloon . Here Mallarmé was
the liberator who restored to the lyrical poem its ethereal quality and ascending
power .
Laden with human matter it was dragging along , skirting the ground and
bumping into trees and house tops like a deflated balloon . Here Mallarmé was
the liberator who restored to the lyrical poem its ethereal quality and ascending
power .
Pagina 67
Inflammable matter the Spanish theater was - that is to say , a thing as distinct as
possible from the norm of perfection the French theater aspired to be . Not for the
sake of watching noble souls behave exemplarily did the good Castilian go to ...
Inflammable matter the Spanish theater was - that is to say , a thing as distinct as
possible from the norm of perfection the French theater aspired to be . Not for the
sake of watching noble souls behave exemplarily did the good Castilian go to ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |