The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
ет means to the wife who is all grief has so little to do with what it means to the
painter who looks on impassively that it seems doubtful whether the two can be
said to be present at the same event . It thus becomes clear that one and the
same ...
ет means to the wife who is all grief has so little to do with what it means to the
painter who looks on impassively that it seems doubtful whether the two can be
said to be present at the same event . It thus becomes clear that one and the
same ...
Pagina 23
But to stylize means to deform reality , to derealize ; style involves
dehumanization . And vice versa , there is no other means of stylizing except by
dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality ,
exhorts him to ...
But to stylize means to deform reality , to derealize ; style involves
dehumanization . And vice versa , there is no other means of stylizing except by
dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality ,
exhorts him to ...
Pagina 34
It obtains in all artistic means and orders , to the point of determining - in the form
of a tendency12_the physiognomy of all contemporary art . The relation between
our mind and things consists in that we think the things , that we form ideas ...
It obtains in all artistic means and orders , to the point of determining - in the form
of a tendency12_the physiognomy of all contemporary art . The relation between
our mind and things consists in that we think the things , that we form ideas ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |