The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 23
It thus appears that the new inspiration , extravagant though it seems , is merely
returning , at least in one point , to the royal road of art . For this road is called “
will to style . ” But to stylize means to deform reality , to derealize ; style involves ...
It thus appears that the new inspiration , extravagant though it seems , is merely
returning , at least in one point , to the royal road of art . For this road is called “
will to style . ” But to stylize means to deform reality , to derealize ; style involves ...
Pagina 59
( Primitive sculpture and certain new psychological discoveries of great
importance corroborate this belief . ) In that case the novel would , strictly
speaking , not have changed ; its present descriptive , or rather presentative ,
form would merely ...
( Primitive sculpture and certain new psychological discoveries of great
importance corroborate this belief . ) In that case the novel would , strictly
speaking , not have changed ; its present descriptive , or rather presentative ,
form would merely ...
Pagina 76
Whereas I believe that action , as it is a merely mechanical element and
aesthetically dead weight , ought to be reduced to a minimum . But at the same
time , and with a view to Proust , I should consider this minimum indispensable .
Whereas I believe that action , as it is a merely mechanical element and
aesthetically dead weight , ought to be reduced to a minimum . But at the same
time , and with a view to Proust , I should consider this minimum indispensable .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth