The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 19
Pagina 29
Proceeding by negatives , Mallarmé's verse muffles all vital resonance and
presents us with figures so extramundane that merely looking at them is delight .
Among such creatures , what business has the poor face of the man who
officiates as ...
Proceeding by negatives , Mallarmé's verse muffles all vital resonance and
presents us with figures so extramundane that merely looking at them is delight .
Among such creatures , what business has the poor face of the man who
officiates as ...
Pagina 57
This difference between self - presence and mere allusion seems to me decisive
in all art but very specially in the novel . ... The crucial point is that when we say : "
Madame Renal falls in love with Julien Sorel we merely allude to this fact while ...
This difference between self - presence and mere allusion seems to me decisive
in all art but very specially in the novel . ... The crucial point is that when we say : "
Madame Renal falls in love with Julien Sorel we merely allude to this fact while ...
Pagina 152
I have regarded my motives and my efforts as merely symbolical , and at bottom it
was a matter of comparative indifference ( ziemlich gleichgültig ) to me whether I
found myself making pots or pans . " These words , which have so often been ...
I have regarded my motives and my efforts as merely symbolical , and at bottom it
was a matter of comparative indifference ( ziemlich gleichgültig ) to me whether I
found myself making pots or pans . " These words , which have so often been ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth