The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 23
It thus appears that the new inspiration , extravagant though it seems , is merely returning , at least in one point , to the royal road of art . For this road is called “ will to style . ” But to stylize means to deform reality ...
It thus appears that the new inspiration , extravagant though it seems , is merely returning , at least in one point , to the royal road of art . For this road is called “ will to style . ” But to stylize means to deform reality ...
Pagina 59
In that case the novel would , strictly speaking , not have changed ; its present descriptive , or rather presentative , form would merely be the means that had to be used in order to produce in a limp sensibility the same effect which ...
In that case the novel would , strictly speaking , not have changed ; its present descriptive , or rather presentative , form would merely be the means that had to be used in order to produce in a limp sensibility the same effect which ...
Pagina 76
Whereas I believe that action , as it is a merely mechanical element and aesthetically dead weight , ought to be reduced to a minimum . But at the same time , and with a view to Proust , I should consider this minimum indispensable .
Whereas I believe that action , as it is a merely mechanical element and aesthetically dead weight , ought to be reduced to a minimum . But at the same time , and with a view to Proust , I should consider this minimum indispensable .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth