The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 18
José Ortega y Gasset. We shall soon see the unexpected use which the new art has made of this " inhuman " inversion . FIRST INSTALLMENT ON THE DEHUMANIZATION OF ART With amazing swiftness modern art has split up into a multitude of ...
José Ortega y Gasset. We shall soon see the unexpected use which the new art has made of this " inhuman " inversion . FIRST INSTALLMENT ON THE DEHUMANIZATION OF ART With amazing swiftness modern art has split up into a multitude of ...
Pagina 44
... modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the ...
... modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce . It is this trait more than any other that makes the works of the ...
Pagina 45
... modern art a monotony which must exasperate patience herself . But be that as it may , the con- tradiction between surfeit and enthusiasm now ap- pears resolved . The first is aroused by art as a serious affair , the second is felt for art ...
... modern art a monotony which must exasperate patience herself . But be that as it may , the con- tradiction between surfeit and enthusiasm now ap- pears resolved . The first is aroused by art as a serious affair , the second is felt for art ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth