The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 7
Each move among men so obviously reveals the opposite that each move results
in a painful clash . If this subject were broached in politics the passions aroused
would run too high to make oneself understood . Fortunately the aforementioned
...
Each move among men so obviously reveals the opposite that each move results
in a painful clash . If this subject were broached in politics the passions aroused
would run too high to make oneself understood . Fortunately the aforementioned
...
Pagina 74
So slowly does the action move that it seems more like a sequence of ecstatic
stillnesses without progress or tension . Reading this " remembrance of things
past ” we feel convinced that the permissible measure of slowness is
overstepped .
So slowly does the action move that it seems more like a sequence of ecstatic
stillnesses without progress or tension . Reading this " remembrance of things
past ” we feel convinced that the permissible measure of slowness is
overstepped .
Pagina 129
You found yourself with a body , a soul , a character , as you found yourself with
the capital which your parents left you , with the country in which you were born ,
and with the human society in which you move . Just as you are not your liver , be
...
You found yourself with a body , a soul , a character , as you found yourself with
the capital which your parents left you , with the country in which you were born ,
and with the human society in which you move . Just as you are not your liver , be
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth