The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 10
Pagina 20
José Ortega y Gasset. the painter is bungling and fails to render the natural ( natural = human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far ...
José Ortega y Gasset. the painter is bungling and fails to render the natural ( natural = human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far ...
Pagina 32
... natural things and wounds or murders them . SURREALISM AND INFRAREALISM But the metaphor , though the most radical in- strument of dehumanization , is certainly not the only one . There are many of varying scope . The simplest may be ...
... natural things and wounds or murders them . SURREALISM AND INFRAREALISM But the metaphor , though the most radical in- strument of dehumanization , is certainly not the only one . There are many of varying scope . The simplest may be ...
Pagina 171
... natural and ultra - biological of phenomena . It took man thousands upon thousands of years to educate his capacity of concentration a little - only a little . What is natural to him is to disperse himself , to divert his thought ...
... natural and ultra - biological of phenomena . It took man thousands upon thousands of years to educate his capacity of concentration a little - only a little . What is natural to him is to disperse himself , to divert his thought ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth