The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 20
the painter is bungling and fails to render the natural ( natural = human ) thing
because he deviates from it , but that these deviations point in a direction
opposite to that which would lead to reality . Far from going more or less clumsily
toward ...
the painter is bungling and fails to render the natural ( natural = human ) thing
because he deviates from it , but that these deviations point in a direction
opposite to that which would lead to reality . Far from going more or less clumsily
toward ...
Pagina 22
To the majority of people this is the most natural and the only possible setup of a
work of art . Art is reflected life , nature seen through a temperament ,
representation of human destinies , and so on . But the fact is that our young
artists , with no ...
To the majority of people this is the most natural and the only possible setup of a
work of art . Art is reflected life , nature seen through a temperament ,
representation of human destinies , and so on . But the fact is that our young
artists , with no ...
Pagina 32
There are many of varying scope . The simplest may be described as a change of
perspective . From the standpoint of ordinary human life things appear in a
natural order , a definite hierarchy . Some seem very important , some less so 32.
There are many of varying scope . The simplest may be described as a change of
perspective . From the standpoint of ordinary human life things appear in a
natural order , a definite hierarchy . Some seem very important , some less so 32.
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth