The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 73
The reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it is read , not be conceived as a novel ...
The reader never stumbles upon theatrical props ; he feels from the outset immersed in a sound and effective quasi - reality . For a novel , in contrast to other literary works , must , while it is read , not be conceived as a novel ...
Pagina 128
On the other hand , this has been the essential defect of all German books on Goethe : their authors work on Goethe , but never question themselves about Goethe , never put Goethe in question , never work underneath Goethe .
On the other hand , this has been the essential defect of all German books on Goethe : their authors work on Goethe , but never question themselves about Goethe , never put Goethe in question , never work underneath Goethe .
Pagina 174
Which means nothing less than the tremendous fact that , unlike all other beings in the universe , man can never be sure that he is , in fact , a man , as the tiger is sure of being a tiger and the fish of being a fish .
Which means nothing less than the tremendous fact that , unlike all other beings in the universe , man can never be sure that he is , in fact , a man , as the tiger is sure of being a tiger and the fish of being a fish .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential event everything existence fact feel figures follow gifts give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason remains seems seen sense sensibility soul space speak stand style substance things thought tion traditional truth turn understand universe vision vital vocation whole young youth