The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 48
Pagina 55
This , I believe , is now happening to the novel . ... of the enormous difficulty , an
objective not a personal difficulty , of writing an acceptable novel at this advanced
stage . ... Thus many novels seemed readable which we now think a bore .
This , I believe , is now happening to the novel . ... of the enormous difficulty , an
objective not a personal difficulty , of writing an acceptable novel at this advanced
stage . ... Thus many novels seemed readable which we now think a bore .
Pagina 57
This difference between self - presence and mere allusion seems to me decisive
in all art but very specially in the novel . The subject of Le rouge et le noir could
be told in a few dozen words . What is the difference between such a report and ...
This difference between self - presence and mere allusion seems to me decisive
in all art but very specially in the novel . The subject of Le rouge et le noir could
be told in a few dozen words . What is the difference between such a report and ...
Pagina 95
People in a novel need not be like real ones , it is enough that they are possible .
And this psychology of possible human minds , which I have called imaginary
psychology , is the only one that matters to the novel . That a novel may , apart
from ...
People in a novel need not be like real ones , it is enough that they are possible .
And this psychology of possible human minds , which I have called imaginary
psychology , is the only one that matters to the novel . That a novel may , apart
from ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |