The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 59
... novelist . What is required , I should think , is exactly the opposite : that he furnish the visible facts so that I obligingly discover and define John to be peevish . A novelist must proceed in the same way as the impressionistic ...
... novelist . What is required , I should think , is exactly the opposite : that he furnish the visible facts so that I obligingly discover and define John to be peevish . A novelist must proceed in the same way as the impressionistic ...
Pagina 90
... novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a ...
... novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a ...
Pagina 93
... novelist can do is to ob- serve and to copy the real processes in existing souls . But he cannot invent psychological processes and construct souls as the mathematician constructs geometrical figures . Yet the enjoyment of novels ...
... novelist can do is to ob- serve and to copy the real processes in existing souls . But he cannot invent psychological processes and construct souls as the mathematician constructs geometrical figures . Yet the enjoyment of novels ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth