The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 70
As it is , much has been said about what is going on in Dostoevski's novels and
very little about their form . ... The turbulent , wayward character of his
personages is ascribed to Dostoevski himself , and the novelist is looked upon as
...
As it is , much has been said about what is going on in Dostoevski's novels and
very little about their form . ... The turbulent , wayward character of his
personages is ascribed to Dostoevski himself , and the novelist is looked upon as
...
Pagina 90
Great novels are atolls built by myriads of tiny animals whose seeming frailness
checks the impact of the seas . For this reason a novelist should never attack a
subject unless he knows it thoroughly . He must produce ex abundantia . Where
he ...
Great novels are atolls built by myriads of tiny animals whose seeming frailness
checks the impact of the seas . For this reason a novelist should never attack a
subject unless he knows it thoroughly . He must produce ex abundantia . Where
he ...
Pagina 93
Yet the enjoyment of novels presupposes exactly this . When a novelist expounds
a psychological process he does not expect us to accept it as something that has
actually happened - who would guarantee its reality ? -but he trusts that it ...
Yet the enjoyment of novels presupposes exactly this . When a novelist expounds
a psychological process he does not expect us to accept it as something that has
actually happened - who would guarantee its reality ? -but he trusts that it ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth