The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 59
A novelist must proceed in the same way as the impressionistic painters who set down on the canvas such elements as the spectator needs for seeing an apple , and leave it to him to give to this material the finishing touches Notes on ...
A novelist must proceed in the same way as the impressionistic painters who set down on the canvas such elements as the spectator needs for seeing an apple , and leave it to him to give to this material the finishing touches Notes on ...
Pagina 88
Similarly , a novelist must be inspired above all by a wonderful enthusiasm to tell a tale and to invent men and women and conversations and passions . A silkworm enclosed in his magic cocoon , he must forget the world he leaves behind ...
Similarly , a novelist must be inspired above all by a wonderful enthusiasm to tell a tale and to invent men and women and conversations and passions . A silkworm enclosed in his magic cocoon , he must forget the world he leaves behind ...
Pagina 90
For this reason a novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are .
For this reason a novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason remains seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation whole young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |