The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 103
What mysterious resonance of touch is preserved by sight when it converges on
a nearby object ? We shall not now attempt to violate this mystery . It is enough
that we recognize this quasi - tactile density possessed by the ocular ray , and ...
What mysterious resonance of touch is preserved by sight when it converges on
a nearby object ? We shall not now attempt to violate this mystery . It is enough
that we recognize this quasi - tactile density possessed by the ocular ray , and ...
Pagina 105
of the object and the eye , that is , the hollow space . And since the latter is in front
of the object , it follows that the journey of the pictorial gaze is a retrogression
from the distant - although close bytoward what is contiguous to the eye .
of the object and the eye , that is , the hollow space . And since the latter is in front
of the object , it follows that the journey of the pictorial gaze is a retrogression
from the distant - although close bytoward what is contiguous to the eye .
Pagina 110
power that permits it - even more - obliges it to be ubiquitous and occupy the
whole canvas without having to dispossess the others . This magic object is light .
It is everywhere single and unique throughout the composition . Here is a
principle ...
power that permits it - even more - obliges it to be ubiquitous and occupy the
whole canvas without having to dispossess the others . This magic object is light .
It is everywhere single and unique throughout the composition . Here is a
principle ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth