The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 16
... observation . At one end of the scale the world- persons , things , situations - is given to us in the aspect of " lived " reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a ...
... observation . At one end of the scale the world- persons , things , situations - is given to us in the aspect of " lived " reality ; at the other end we see everything in the aspect of " observed " reality . At this point we must make a ...
Pagina 62
... observe that his attention is turned to the personages themselves , not to their adventures . We are fascinated by Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is ...
... observe that his attention is turned to the personages themselves , not to their adventures . We are fascinated by Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is ...
Pagina 167
... Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ability to ignore the world for a greater or less time without fatal risk ...
... Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ability to ignore the world for a greater or less time without fatal risk ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth