The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 62
Let the reader recall the great novels of former days that have lived up to the high
standards of our time , and he will observe that his attention is turned to the
personages themselves , not to their adventures . We are fascinated by Don
Quixote ...
Let the reader recall the great novels of former days that have lived up to the high
standards of our time , and he will observe that his attention is turned to the
personages themselves , not to their adventures . We are fascinated by Don
Quixote ...
Pagina 84
IMPERVIOUSNESS Let us observe ourselves the moment we have finished
reading a great novel . Is it not as though we were emerging from another world
where we were held incommunicado ? That there can have been no
communication ...
IMPERVIOUSNESS Let us observe ourselves the moment we have finished
reading a great novel . Is it not as though we were emerging from another world
where we were held incommunicado ? That there can have been no
communication ...
Pagina 93
... is to observe and to copy the real processes in existing souls . But he cannot
invent psychological processes and construct souls as the mathematician
constructs geometrical figures . Yet the enjoyment of novels presupposes exactly
this .
... is to observe and to copy the real processes in existing souls . But he cannot
invent psychological processes and construct souls as the mathematician
constructs geometrical figures . Yet the enjoyment of novels presupposes exactly
this .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth