The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 15
He does not " live " the scene , he observes it . Yet he observes it with a view to telling his readers about it . He wants to interest them , to move them , and if possible to make them weep as though they each had been the dying man's ...
He does not " live " the scene , he observes it . Yet he observes it with a view to telling his readers about it . He wants to interest them , to move them , and if possible to make them weep as though they each had been the dying man's ...
Pagina 62
Let the reader recall the great novels of former days that have lived up to the high standards of our time , and he will observe that his attention is turned to the personages themselves , not to their adventures .
Let the reader recall the great novels of former days that have lived up to the high standards of our time , and he will observe that his attention is turned to the personages themselves , not to their adventures .
Pagina 167
Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ability to ignore the world for a greater or less time without fatal risk ...
Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ability to ignore the world for a greater or less time without fatal risk ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione brani - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consists contemplation culture definition destiny direction distance drama effect elements essential event everything existence fact feel figures follow give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation whole young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |