The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
And we cannot help asking ourselves : Which of all these realities must then be
regarded as the real and authentic one ? The answer , no matter how we decide ,
cannot but be arbitrary . Any preference can be founded on caprice only .
And we cannot help asking ourselves : Which of all these realities must then be
regarded as the real and authentic one ? The answer , no matter how we decide ,
cannot but be arbitrary . Any preference can be founded on caprice only .
Pagina 84
IMPERVIOUSNESS Let us observe ourselves the moment we have finished
reading a great novel . Is it not as though we were emerging from another world
where we were held incommunicado ? That there can have been no
communication ...
IMPERVIOUSNESS Let us observe ourselves the moment we have finished
reading a great novel . Is it not as though we were emerging from another world
where we were held incommunicado ? That there can have been no
communication ...
Pagina 185
... it would seem sensible that , wherever circumstances give us even the slightest
respite , we attempt to break this magic circle of alteración , which flings us from
one folly to another ; it would seem sensible that we should say to ourselves - as
...
... it would seem sensible that , wherever circumstances give us even the slightest
respite , we attempt to break this magic circle of alteración , which flings us from
one folly to another ; it would seem sensible that we should say to ourselves - as
...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |