The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 16
The painter , in fine , completely unconcerned , does nothing but keep his eyes
open . What is happening here is none of his business ; he is , as it were , a
hundred miles removed from it . His is a purely perceptive attitude ; indeed , he
fails to ...
The painter , in fine , completely unconcerned , does nothing but keep his eyes
open . What is happening here is none of his business ; he is , as it were , a
hundred miles removed from it . His is a purely perceptive attitude ; indeed , he
fails to ...
Pagina 19
It might be supposed that the modern painter has failed to achieve resemblance .
But then some pictures of the 1860's are “ poorly ” painted , too , and the objects
in them differ considerably from the corresponding objects outside them .
It might be supposed that the modern painter has failed to achieve resemblance .
But then some pictures of the 1860's are “ poorly ” painted , too , and the objects
in them differ considerably from the corresponding objects outside them .
Pagina 106
The painter has directed an exclusive and analytic gaze at each one of the
objects . This accounts for the diverting richness of these Quattrocento
catalogues . We never have done with looking at them . We always discover a
new little ...
The painter has directed an exclusive and analytic gaze at each one of the
objects . This accounts for the diverting richness of these Quattrocento
catalogues . We never have done with looking at them . We always discover a
new little ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |