The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 36
... painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the subjective images in his own mind . Notwithstanding its crudeness and the hopeless vulgarity of its subject ...
... painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the subjective images in his own mind . Notwithstanding its crudeness and the hopeless vulgarity of its subject ...
Pagina 100
... painting from Giotto to our own time is a unique and simple action with a beginning and an end . It is surprising ... painting . III Movement implies a mover . In the evolution of painting , what is it that moves ? Each canvas is an ...
... painting from Giotto to our own time is a unique and simple action with a beginning and an end . It is surprising ... painting . III Movement implies a mover . In the evolution of painting , what is it that moves ? Each canvas is an ...
Pagina 105
... painting . In what follows , I limit myself to a few examples that are , as it were , stages on such a journey . VII THE QUATTROCENTO The Flemish and the Italians cultivate with pas- sion the painting of bulk . One would say they paint ...
... painting . In what follows , I limit myself to a few examples that are , as it were , stages on such a journey . VII THE QUATTROCENTO The Flemish and the Italians cultivate with pas- sion the painting of bulk . One would say they paint ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth