The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 36
In foregoing to emulate reality the painting becomes what it authentically is : an
image , an unreality . Expressionism , cubism , etc. , are - in varying degree -
attempts at executing this decision . From painting things , the painter has turned
to ...
In foregoing to emulate reality the painting becomes what it authentically is : an
image , an unreality . Expressionism , cubism , etc. , are - in varying degree -
attempts at executing this decision . From painting things , the painter has turned
to ...
Pagina 100
Then , it would become clear that the evolution of painting from Giotto to our own
time is a unique and simple action with a beginning and an end . It is surprising
that so elementary a law has guided the variations of pictorial art in our western ...
Then , it would become clear that the evolution of painting from Giotto to our own
time is a unique and simple action with a beginning and an end . It is surprising
that so elementary a law has guided the variations of pictorial art in our western ...
Pagina 105
According to this , the evolution of Western painting would consist in a retraction
from the object toward the subject , the painter . The reader may test for himself
this law that governs the movement of pictorial art by a chronological review of
the ...
According to this , the evolution of Western painting would consist in a retraction
from the object toward the subject , the painter . The reader may test for himself
this law that governs the movement of pictorial art by a chronological review of
the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 13 lug 2011 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |