The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 40
... past on the present . That a work of a certain period may be modeled after works of another previous period has always been easily recognized . But to notice the negative influence of the past and to realize that a new style has not ...
... past on the present . That a work of a certain period may be modeled after works of another previous period has always been easily recognized . But to notice the negative influence of the past and to realize that a new style has not ...
Pagina 124
... past as an arsenal of means , receipts , norms . The man who has not lost faith in the past is not frightened by the future , because he is sure that in the past he will find the tactic , the method , the course , by which he can ...
... past as an arsenal of means , receipts , norms . The man who has not lost faith in the past is not frightened by the future , because he is sure that in the past he will find the tactic , the method , the course , by which he can ...
Pagina 125
... past , and that we could live on the income of it . We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take ...
... past , and that we could live on the income of it . We find the future bearing down on us rather harder than it bore down on previous generations , we look back , according to our wont , for the traditional weapons ; but when we take ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth