The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 40
ence which at all times the past of art exerts on the future of art . In the mind of the
artist a sort of chemical reaction is set going by the clash between his individual
sensibility and already existing art . He does not find himself all alone with the ...
ence which at all times the past of art exerts on the future of art . In the mind of the
artist a sort of chemical reaction is set going by the clash between his individual
sensibility and already existing art . He does not find himself all alone with the ...
Pagina 124
If the European casts up the balance sheet of his situation with some degree of
perspicacity , he will find that he despairs , not of the present or the future , but
precisely of time past . Life is an operation which is done in a forward direction .
If the European casts up the balance sheet of his situation with some degree of
perspicacity , he will find that he despairs , not of the present or the future , but
precisely of time past . Life is an operation which is done in a forward direction .
Pagina 125
We believed that we were the heirs of a magnificent past , and that we could live
on the income of it . We find the future bearing down on us rather harder than it
bore down on previous generations , we look back , according to our wont , for
the ...
We believed that we were the heirs of a magnificent past , and that we could live
on the income of it . We find the future bearing down on us rather harder than it
bore down on previous generations , we look back , according to our wont , for
the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear concerned consequence consists contemplation contrary culture definition dehumanization destiny direction distance drama effect elements essential everything existence fact feel figures follow German give Goethe hand happening Hence horizon human ideas important individual inner interest invent Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages picture point of view possess possible precisely present problems produce pure reader reality realize reason relation seems seen sense sensibility soul space speak stand style substance theater things thought tion traditional truth turn understand universe vision vital vocation young youth