The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 138
... perhaps the best word to designate that vital design , that inexorable plan , in which our real I exists . Each one of us is " he whom he has to become , " although perhaps he never suc- ceeds in becoming anything . Can this be ...
... perhaps the best word to designate that vital design , that inexorable plan , in which our real I exists . Each one of us is " he whom he has to become , " although perhaps he never suc- ceeds in becoming anything . Can this be ...
Pagina 146
... perhaps unfounded , probably naïve - that in Goethe's life there are too many flights . He begins by fleeing from all his real loves , which are those of his youth . He flees from his life as a writer to fall into that unhappy Weimar ...
... perhaps unfounded , probably naïve - that in Goethe's life there are too many flights . He begins by fleeing from all his real loves , which are those of his youth . He flees from his life as a writer to fall into that unhappy Weimar ...
Pagina 148
... perhaps never says anything in- teresting . In other words , the opposite of a Goethe 6. I stress the fact that this is only the generic ex- pression of his vocation and even that only in reference to what may be considered the axis of ...
... perhaps never says anything in- teresting . In other words , the opposite of a Goethe 6. I stress the fact that this is only the generic ex- pression of his vocation and even that only in reference to what may be considered the axis of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth