The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina
... philosophical reviews , the most prominent of which was La Revista de Occidente , and made sev- eral lecture tours of ... Philosophy of His- tory ( 1941 ) , The Mission of the University ( 1944 ) , and Concord and Liberty ( 1946 ) . The ...
... philosophical reviews , the most prominent of which was La Revista de Occidente , and made sev- eral lecture tours of ... Philosophy of His- tory ( 1941 ) , The Mission of the University ( 1944 ) , and Concord and Liberty ( 1946 ) . The ...
Pagina 119
... philosophy of the Renaissance , reaches its extreme consequences in the radical sensationalism of Avenarius and Mach . How can this continue ? What new philosophy is possible ? A return to primitive realism is unthinkable ; four ...
... philosophy of the Renaissance , reaches its extreme consequences in the radical sensationalism of Avenarius and Mach . How can this continue ? What new philosophy is possible ? A return to primitive realism is unthinkable ; four ...
Pagina 129
... philosophy has always gone astray by giving the name of " I " to the most unlikely things but never to the thing that you call " I " in your daily life . That I which is you , my dear friend , does not consist in your body , nor yet in ...
... philosophy has always gone astray by giving the name of " I " to the most unlikely things but never to the thing that you call " I " in your daily life . That I which is you , my dear friend , does not consist in your body , nor yet in ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization DEHUMANIZATION OF ART derealized Descartes destiny distance distant vision Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel fin de siècle genre German gifts Giotto Goethe Goethe's hand Hence hollow space horizon human ical ICONOCLASM ideas imaginary imperative inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture poet poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional truth unity Velásquez vital vocation Weimar words young youth